Why Are Catholic Churches Prettier? Exploring the Architectural and Artistic Majesty

Have you ever stepped into a Catholic church and felt an immediate sense of awe, a profound appreciation for the sheer beauty surrounding you? Perhaps you’ve wondered, “Why are Catholic churches prettier than many other places of worship?” This isn't just a subjective feeling; it's a question rooted in a rich history, a specific theological understanding, and a deliberate approach to sacred art and architecture. From soaring spires to intricate stained-glass windows, the visual splendor of Catholic churches is often a tangible manifestation of their spiritual purpose.

My own experiences have certainly echoed this sentiment. I recall visiting a small, unassuming parish church in Italy years ago, expecting a simple structure. Instead, I was greeted by a breathtaking interior, adorned with frescoes that seemed to tell stories from the heavens. The play of light through the ancient windows cast a golden hue over everything, creating an atmosphere that was both deeply peaceful and incredibly inspiring. It wasn't just about aesthetics; it felt like the very building was designed to lift the spirit and draw one closer to the divine. This feeling is, I believe, a common thread that many people experience when encountering these magnificent structures. It’s a testament to centuries of dedication to creating spaces that are not merely functional, but profoundly evocative.

The Purpose Behind the Pomp: A Theological Foundation

So, why are Catholic churches often perceived as prettier? The answer, at its core, lies in their theological purpose. The Catholic Church views its churches not just as meeting places for the congregation, but as earthly representations of the heavenly Jerusalem. This concept, deeply rooted in biblical tradition, means that these buildings are intended to be a foretaste of paradise, a place where heaven and earth are momentarily bridged. Therefore, the artistry and grandeur are not superficial embellishments; they are integral to conveying the glory of God and the sanctity of the sacraments celebrated within.

This theological perspective is often articulated through the concept of *sacra conversazione* in art, which translates to "holy conversation." It suggests that the art within a church should facilitate a dialogue between the worshipper and the divine. The beauty, therefore, isn't meant to distract, but to draw the worshipper *into* the mystery of faith. It’s about creating an environment that is conducive to prayer, contemplation, and a profound encounter with God. When you consider this intentionality, the elaborate designs and artistic richness begin to make a great deal of sense.

A Historical Tapestry: Centuries of Artistic Evolution

The perceived prettiness of Catholic churches is also a direct result of a continuous artistic tradition that spans over two millennia. The Catholic Church has historically been a significant patron of the arts, commissioning countless masterpieces that have shaped Western civilization. This sustained engagement with artists, architects, and craftspeople has led to the development of styles and techniques that are uniquely suited to sacred spaces.

Let’s take a stroll through some key historical periods and see how this tradition unfolded:

Early Christian Basilicas: While simple in their initial form, early Christian churches, often adapted from Roman basilicas, already began to incorporate mosaics and frescoes. These early works aimed to teach biblical narratives to a largely illiterate populace and to imbue the space with a sense of divine presence. Think of the stunning mosaics in Ravenna, Italy, like those in the Basilica di San Vitale, which, even today, radiate a sense of otherworldly beauty.
Romanesque Architecture (c. 1000-1200 AD): This period saw the rise of massive stone churches with rounded arches, barrel vaults, and thick walls. While perhaps less overtly "pretty" in a delicate sense, their solidity and grandeur conveyed a sense of God's enduring power and the security of the faith. Sculptural ornamentation, often depicting biblical scenes or warnings against sin, became more prominent.
Gothic Architecture (c. 12th-16th centuries): This is where the image of the "pretty" church truly takes flight for many. Gothic architects aimed to create soaring structures that reached towards the heavens. Key features include:
- Pointed Arches: These allowed for greater height and distributed weight more effectively.
- Rib Vaults: Complex skeletal frameworks that supported ceilings and allowed for thinner walls.
- Flying Buttresses: External supports that transferred the outward thrust of the vaults, enabling thinner walls and larger window openings.
- Stained-Glass Windows: The true marvels of Gothic cathedrals! These enormous windows, often covering vast expanses of wall, were filled with richly colored glass depicting biblical stories and saints. They bathed the interior in a kaleidoscope of light, transforming the space into a dazzling, ethereal environment. The effect was not just visual; it was meant to symbolize divine light entering the world.
Think of Notre Dame de Paris, Chartres Cathedral, or Westminster Abbey – these are prime examples of Gothic splendor. The intricate tracery, the delicate stonework, and the sheer scale contribute to their profound beauty.
Renaissance Architecture (c. 15th-16th centuries): This period saw a return to classical ideals, emphasizing symmetry, proportion, and harmony. While perhaps more restrained than Gothic, Renaissance churches like St. Peter's Basilica in Rome are masterpieces of balance and order, often incorporating grand domes, elegant facades, and sophisticated ornamentation. The focus shifted towards humanism and a more ordered understanding of the divine.
Baroque and Rococo Architecture (c. 17th-18th centuries): These styles are characterized by drama, movement, and opulence. Baroque churches often feature dramatic lighting, swirling forms, elaborate stucco work, and rich ornamentation, creating a theatrical and emotionally engaging experience. Rococo takes this a step further with lighter, more whimsical decoration, often featuring pastel colors and delicate motifs. Think of the Frauenkirche in Munich or the Church of St. Nicholas in Prague – they exemplify this exuberant beauty.
Neoclassical and Beyond: Even in later periods, the tradition of artistic patronage continued, with churches being built in various revival styles or contemporary designs, each aiming to create a sacred space that resonated with the spiritual needs of its time.

This continuous engagement with artistic innovation means that Catholic churches are not beholden to a single style but have evolved over centuries, incorporating the best of each era’s artistic achievements. This creates a diverse, yet unified, tradition of sacred architecture and art.

The Art of Storytelling: Sacra Doctrina Through Visuals

One of the most significant reasons why Catholic churches are often perceived as exceptionally beautiful is their consistent use of art as a form of theological teaching, often referred to as *sacra doctrina* or sacred doctrine. For centuries, when a large portion of the population was illiterate, churches served as "Bibles for the poor." Every statue, every fresco, every stained-glass window had a purpose: to communicate the tenets of the Catholic faith.

Consider the details:

Stained-Glass Windows: As mentioned, these are masterclasses in visual storytelling. They depict scenes from the Old and New Testaments, the lives of saints, and the sacraments. The specific iconography is crucial. For example, a depiction of the Annunciation might show Mary with a lily (purity), and the Archangel Gabriel with a scroll (divine message). The vibrant colors themselves often hold symbolic meaning: blue for heaven and faithfulness, red for Christ's sacrifice or the Holy Spirit, green for hope and eternal life, white for purity and resurrection.
Sculptures and Statuary: From the life-sized crucifix above the altar to statues of the Virgin Mary, the Apostles, and various saints, these figures are not mere decorations. Each is crafted with specific symbolism. A statue of St. Peter might hold keys (representing his authority as the "rock" of the Church), while St. Jude is often depicted with a club (his martyrdom) and a flame above his head (receiving the Holy Spirit). The sorrowful expression on a statue of Mary in her Pieta pose is intended to evoke empathy and understanding of Christ's suffering.
Frescoes and Murals: Many church interiors are adorned with extensive frescoes that cover ceilings and walls. These can depict grand theological narratives, such as the Last Judgment, the life of Christ, or the history of salvation. The scale and detail are often overwhelming, designed to immerse the viewer in the unfolding story of God's relationship with humanity.
Altar and Reredos: The high altar is the focal point of the church, and its design, along with the reredos (the decorative screen behind it), is rich with symbolism. Often featuring scenes from the Mass or the life of Christ, these elements reinforce the central act of worship taking place.

This deliberate and comprehensive use of visual art ensures that the entire church space becomes a catechism, a living sermon that communicates the faith in a deeply impactful way. The beauty, therefore, is not just for aesthetic pleasure; it is a didactic tool, designed to enlighten and inspire believers.

The Sensory Experience: Engaging All the Senses

While we often focus on the visual, the perceived "prettiness" of Catholic churches is also a result of their careful orchestration of a full sensory experience. It’s about creating an atmosphere that elevates the spirit and prepares the individual for worship.

Let's consider the other senses:

Sound: The acoustics of many older Catholic churches are designed for resonance. The echoes of hymns, Gregorian chant, or the spoken word are meant to fill the space, creating a sense of grandeur and timelessness. The organ, often a magnificent instrument in itself, adds another layer of sonic richness. The very soundscape is intended to be awe-inspiring.
Smell: The scent of incense, particularly during liturgical celebrations, is a significant element. Incense has a long history in religious rituals across many cultures, symbolizing prayer rising to heaven. Its distinctive, often complex aroma can evoke a sense of solemnity and transcendence.
Touch: While not as overt as sight or sound, the tactile elements are present. The cool, smooth stone of pillars, the worn wooden pews, the texture of vestments – these can all contribute to the overall experience, grounding the worshipper in the physical space while simultaneously pointing towards the spiritual.
Light: As highlighted in the discussion of Gothic architecture, light is a fundamental element. The way sunlight streams through stained glass, the flickering of candles, the ethereal glow created by strategically placed lighting – all are designed to create a sense of divine presence. Light, in Christian theology, is often a symbol of Christ himself.

By engaging multiple senses, Catholic churches aim to create an immersive environment that facilitates worship and contemplation. This holistic approach contributes significantly to their perceived beauty and impact.

A Legacy of Craftsmanship: The Role of Artisans

The enduring beauty of Catholic churches is also a testament to the incredible skill and dedication of generations of artisans. For centuries, the Church employed the finest architects, stonemasons, sculptors, painters, woodcarvers, and glassmakers. These were not just laborers; they were often devout individuals who saw their work as a form of ministry.

The level of detail in many churches is simply astonishing:

Intricate Carvings: Look closely at the capitals of columns, the facades, or the choir stalls, and you’ll often find incredibly detailed carvings of biblical scenes, foliage, or grotesque figures (which, in medieval times, were sometimes believed to ward off evil spirits).
Masterful Stonework: The precision with which massive stones were cut, shaped, and fitted in Gothic cathedrals, for instance, is a marvel of engineering and craftsmanship.
Meticulous Mosaics: The creation of mosaics involves thousands of tiny tesserae, painstakingly placed to form intricate images. This was a labor-intensive process requiring immense patience and skill.
Exquisite Metalwork and Woodwork: The creation of altars, pulpits, chandeliers, and other liturgical objects often involved highly skilled metalworkers and woodcarvers, producing works of enduring beauty and craftsmanship.

This dedication to quality and detail, driven by both faith and artistic excellence, has resulted in structures that have stood the test of time and continue to inspire awe. It’s a legacy that showcases the profound impact of art when it is infused with purpose and devotion.

The Symbolism of Space: Hierarchy and Universality

The very design and layout of Catholic churches are imbued with deep symbolism, contributing to their unique atmosphere and perceived beauty. The architectural choices are not arbitrary; they are meant to reflect theological realities and guide the worshipper’s experience.

Key spatial elements and their symbolism include:

Orientation (Eastward): Traditionally, churches are oriented so that the altar faces east, towards the rising sun, symbolizing Christ as the "Light of the World" and the anticipation of his second coming. While not universally followed in modern construction due to site constraints, this ancient tradition imbues many older churches with a specific directional symbolism.
The Nave: This is the main body of the church where the congregation sits. It is often long and spacious, drawing the eye towards the altar. It can symbolize the journey of the faithful through life towards God.
The Sanctuary/Chancel: This is the area around the altar, usually raised and separated from the nave. It represents the most sacred space, the intersection of heaven and earth where the divine is made present through the sacraments, especially the Eucharist. The increased ornamentation and focus in this area visually reinforce its significance.
The Dome: In many Renaissance and Baroque churches, the dome is a prominent feature. It often symbolizes the heavens, the divine realm, or the unity of the Church under God. The paintings or mosaics within the dome frequently depict celestial scenes or the Ascension of Christ.
The Altar: The altar is the physical representation of Christ himself, the place of sacrifice and communion. Its prominence and decoration underscore its central role in Catholic worship.
The Tabernacle: In Catholic churches, the tabernacle, a consecrated receptacle where the Eucharist is kept, is often a focal point, usually marked by a sanctuary lamp. Its presence signifies the real presence of Christ in the consecrated bread, making the church a place of perpetual adoration.

The intentional design of these spaces creates a clear hierarchy of holiness, guiding the worshipper from the secular world outside, through the journey of the nave, to the most sacred space of the sanctuary. This carefully constructed spatial narrative enhances the overall experience and contributes to the profound sense of beauty and reverence found within.

Addressing the "Prettier" Perception: Nuance and Perspective

It's important to acknowledge that the perception of "prettiness" is subjective and can vary greatly. While Catholic churches are often lauded for their ornate beauty, other religious traditions may prioritize different aesthetic values, such as simplicity, minimalism, or the use of natural materials. For instance, many Protestant churches, particularly those with a more austere theological tradition, may feature simpler architecture and decoration, focusing on the Word of God as preached rather than elaborate visual representations.

For example:

Quaker Meeting Houses: Often simple, unadorned structures designed for quiet contemplation and communal worship without a fixed liturgy or elaborate iconography.
Some Evangelical Churches: May favor modern, functional designs with a focus on the pulpit and a welcoming, informal atmosphere, often prioritizing a strong sound system and comfortable seating for large congregations.
Mosques: Known for their stunning geometric patterns, calligraphy, and vast prayer halls, often devoid of figurative imagery due to Islamic tradition.
Synagogues: Can range from historically grand edifices to more contemporary designs, often featuring the Ark holding the Torah scrolls as a central element.

The Catholic tradition, with its historical emphasis on the sacraments, the saints, and the tangible representation of the divine, has naturally led to a rich tradition of visual splendor. This doesn't make other forms of worship "less beautiful," but rather points to different aesthetic and theological priorities.

Personal Reflections and Authoritative Commentary

From my perspective, the beauty of Catholic churches often stems from a deep-seated belief in the transcendent. The grand architecture, the intricate art, the dramatic use of light – it all serves to point beyond the mundane, to remind us of a reality that is greater than ourselves. It’s an attempt to bring a piece of heaven down to earth. I’ve found that encountering these spaces can be a profoundly spiritual experience, even for someone who isn't Catholic. There’s a universal appeal in art and architecture that strives for sublimity, that seeks to express the ineffable.

Art historians and theologians often discuss this concept of *the numinous* – that sense of awe, mystery, and transcendence that is evoked by sacred art and architecture. Cardinal Francis Arinze, a prominent figure in the Catholic Church known for his writings on liturgy and evangelization, has often spoken about the importance of beauty in worship. He has emphasized that "Beauty is a divine attribute, and the Church, in her liturgy and art, seeks to reflect this beauty, to draw people to God." This sentiment is echoed by many who believe that well-crafted sacred spaces are essential for fostering a devout and prayerful atmosphere.

Furthermore, the Catholic Church's continuous engagement with the finest artistic traditions across centuries has created a cumulative effect. While individual buildings may represent different eras and styles, they all contribute to a rich legacy of sacred art. This historical depth provides a sense of continuity and tradition that many find deeply compelling.

Frequently Asked Questions about Catholic Church Aesthetics

Why are Catholic churches often filled with statues and images?

Catholic churches are often filled with statues and images primarily because of the Church's teaching on the use of sacred art. These visual representations serve several key purposes rooted in Catholic theology and tradition:

Remembrance and Inspiration: The statues and images depict Jesus Christ, the Blessed Virgin Mary, angels, and saints. They serve as visual reminders of the lives, virtues, and sacrifices of these holy figures. For the faithful, looking upon these images can inspire prayer, devotion, and emulation of their example. They are seen as "books for the illiterate," teaching biblical stories and theological truths through visual means.
Intercession: Catholics believe that saints in heaven can pray for us on earth. Statues and images of saints are not worshipped in themselves, but are seen as aids to devotion, helping worshippers to direct their prayers towards God through the intercession of these heavenly friends. It's akin to asking a living friend to pray for you, but in this case, the friends are in heaven.
Aids to Worship: The presence of these sacred objects helps to create an atmosphere conducive to prayer and worship. They transform the church space into a sacred environment, distinct from the secular world, that points towards the divine. The visual richness is intended to draw the worshipper into contemplation and a sense of the transcendent.
Theological Significance: Particularly in the Catholic tradition, which emphasizes the Incarnation (God becoming human in Jesus Christ), the use of images is seen as consistent with this belief. If God took on human form, then it is appropriate to represent Him and those who were close to Him. The Second Council of Nicaea (787 AD) affirmed the veneration of sacred images, distinguishing it from the worship due to God alone.

Therefore, the statues and images are not merely decorative but are integral components of Catholic worship and teaching, serving to educate, inspire, and facilitate a deeper connection with God and the communion of saints.

Why do Catholic churches have stained-glass windows depicting biblical stories?

Stained-glass windows in Catholic churches have historically served a multifaceted role, deeply interwoven with the Church's mission of evangelization and education. Their primary function was and continues to be, to visually narrate the story of salvation history and convey core tenets of the Catholic faith:

Biblical Catechesis: For centuries, when literacy was not widespread, stained-glass windows acted as vibrant visual Bibles. They depicted key events from the Old and New Testaments, such as the Creation, the Fall, the life of Moses, the Nativity of Jesus, His Crucifixion and Resurrection, and the Acts of the Apostles. By presenting these narratives in a visually compelling way, they educated the congregation about their faith.
Theological Instruction: Beyond simple storytelling, these windows often conveyed complex theological concepts. The specific figures represented, their poses, the colors used, and the surrounding symbolism were all carefully chosen to communicate doctrines like the Trinity, the sacraments, the role of Mary as Mother of God, and the lives of the saints as models of Christian virtue.
Symbolism of Light: The use of colored glass itself is highly symbolic. Light passing through the vibrant panes transforms the interior space, creating an ethereal, almost otherworldly atmosphere. This is often interpreted as a metaphor for divine light entering the world through Christ, illuminating the darkness of sin and ignorance. The colors themselves carry symbolic meanings: blue for heaven and faithfulness, red for Christ's sacrifice or the Holy Spirit, green for hope, and white for purity.
Aesthetic Enhancement of Sacred Space: The sheer beauty and artistry of stained-glass windows contribute significantly to the creation of a sacred and awe-inspiring environment. They are intended to uplift the spirit, inspire reverence, and draw the worshipper's attention away from the mundane and towards the divine. The way light plays through them can create a contemplative and meditative atmosphere.
Historical Legacy: Many of these windows are centuries old, representing masterpieces of medieval craftsmanship. They are not only religious artifacts but also historical treasures, preserving artistic styles and techniques while continuing to fulfill their spiritual purpose.

In essence, the stained-glass windows are a crucial element in the Catholic Church's approach to creating sacred spaces that are both visually stunning and deeply didactic, aiming to engage the faithful intellectually, emotionally, and spiritually.

Why is the architecture of Catholic churches often so grand and ornate?

The grandeur and ornamentation found in the architecture of many Catholic churches are deliberate choices rooted in a rich theological understanding and historical tradition:

Reflection of God's Glory: A central tenet of Catholic belief is that God is supremely glorious, holy, and perfect. The Church, as the "Body of Christ" and the bride of Christ, seeks to reflect this divine glory in its earthly dwelling places. The magnificent architecture, intricate details, and use of precious materials are intended to be a fitting tribute to God's majesty and a foreshadowing of the beauty of heaven. It's an expression of reverence and awe.
Teaching and Evangelization: For centuries, grand and ornate churches served as powerful tools for evangelization and teaching. Their impressive scale and beauty were designed to awe visitors, draw them into the mystery of the faith, and impress upon them the importance and power of God. The elaborate decorations, as mentioned with stained glass and statues, provided visual lessons in Catholic doctrine and history.
The Sacredness of the Liturgy: Catholic worship, particularly the celebration of the Eucharist, is considered a participation in the heavenly liturgy. The architecture and decoration are designed to enhance this sacred event, creating a distinct and elevated atmosphere. The grandeur helps to set the liturgy apart from everyday life, emphasizing its divine nature and the profound mystery being enacted at the altar.
Historical Patronage and Artistic Tradition: Throughout history, the Catholic Church has been a major patron of the arts and architecture. Popes, bishops, and wealthy parishioners have commissioned magnificent structures, employing the most skilled artists and architects of their time. This has led to a continuous development of artistic styles, from the Romanesque and Gothic to the Renaissance and Baroque, each striving for monumental beauty in service of faith. The enduring legacy of this patronage has resulted in a vast heritage of architecturally impressive churches.
Sense of Permanence and Universality: The solid, enduring construction and timeless beauty of many Catholic churches are meant to convey a sense of the Church's permanence and universality across time and cultures. These buildings are intended to be lasting testaments to the faith, providing a stable and holy space for generations of worshippers.

Therefore, the perceived ornateness and grandeur are not merely for show but are integral to the theological, educational, and spiritual mission of the Catholic Church, aiming to create spaces that inspire reverence, facilitate worship, and point towards the divine.

Are there different styles of Catholic churches, and why?

Yes, absolutely! Catholic churches exhibit a wide variety of architectural styles, reflecting the historical development of art and architecture, regional influences, and evolving liturgical needs. The Catholic Church, being a global institution with a history spanning over two millennia, has adopted and adapted numerous styles to create sacred spaces. Here’s a look at some of the prominent styles and reasons for their diversity:

Early Christian Basilicas: Adapted from Roman public buildings, these were characterized by a long, rectangular nave, aisles, and an apse. They were functional and allowed for congregational gatherings and processions. Early decoration often included mosaics and frescoes.
Romanesque (c. 1000-1200 AD): Known for its robust, solid construction, rounded arches, thick walls, and barrel vaults. Churches from this period often feel weighty and grounded, symbolizing the strength and stability of the Church. Examples include Durham Cathedral (UK) and the Basilica of Saint-Sernin (Toulouse, France).
Gothic (c. 12th-16th centuries): This is perhaps the most iconic style associated with "prettier" churches. Gothic architecture aimed for height and light, featuring pointed arches, rib vaults, flying buttresses, and large stained-glass windows. The goal was to create soaring spaces that drew the eye heavenward and symbolized divine illumination. Famous examples are Chartres Cathedral (France), Cologne Cathedral (Germany), and Notre Dame de Paris (France).
Renaissance (c. 15th-16th centuries): Marked by a return to classical principles of symmetry, proportion, and harmony. Domes became prominent features, and architects like Brunelleschi and Bramante sought balance and order. St. Peter's Basilica in Rome is a prime example, though it underwent significant architectural evolution.
Baroque (c. 17th-18th centuries): Emphasized drama, movement, and opulence. Baroque churches often feature dynamic facades, elaborate stucco work, dramatic lighting, and a sense of theatricality designed to evoke strong emotional responses. The Church of the Gesù in Rome is a quintessential example.
Rococo (c. 18th century): A lighter, more ornate evolution of Baroque, often characterized by pastel colors, delicate stucco, and playful, sometimes asymmetrical, decorative elements.
Neoclassical (c. 18th-19th centuries): A revival of classical Greek and Roman styles, focusing on symmetry, grandeur, and monumental scale, often with columns and pediments.
Revival Styles (e.g., Neo-Gothic, Neo-Romanesque): In the 19th century, there was a resurgence of interest in earlier medieval architectural styles, leading to many churches being built in faithful recreations of Gothic or Romanesque designs.
Modern and Contemporary Styles: In the 20th and 21st centuries, Catholic churches have been built using contemporary architectural approaches, employing new materials and forms while still aiming to create sacred spaces. These can range from minimalist designs to more experimental structures.

The diversity arises from several factors:

Historical Periods: As architectural styles evolved, the Church adapted, commissioning buildings in the prevailing aesthetic.
Regional Variations: Local materials, climate, and cultural traditions influenced architectural expression.
Purpose and Size: A small parish church might have a simpler design than a grand cathedral or a minor basilica.
Theological Emphasis: Different periods or movements within the Church might have emphasized certain aspects of worship or theology, influencing architectural choices. For instance, the Gothic emphasis on light and height can be seen as reflecting a desire for transcendence, while the Baroque focus on drama might aim to stir the heart.

This rich tapestry of architectural styles ensures that Catholic churches, while united by their faith, offer a diverse and evolving visual expression of sacred space.

Conclusion: Beauty as a Pathway to the Divine

So, why are Catholic churches often prettier? It's a confluence of deeply held theological beliefs, a rich artistic heritage, intentional symbolism, and a commitment to creating spaces that engage the whole person in worship. The beauty is not incidental; it is functional, serving as a powerful tool for teaching, inspiration, and drawing people closer to God. From the soaring heights of Gothic cathedrals to the intricate details of Baroque chapels, these structures are designed to be more than just buildings; they are intended as tangible whispers of the divine, offering a glimpse of heaven on earth.

The next time you step into a Catholic church, take a moment to observe. Notice the light, the art, the architecture, the atmosphere. Understand that each element has been carefully considered, a testament to centuries of devotion and artistry. The "prettiness" you perceive is, in many ways, a carefully constructed pathway, inviting you to experience something sacred and transcendent.

Why Are Catholic Churches Prettier? Exploring the Architectural and Artistic Majesty